Corey Taylor Interview
WANYK
We Are Not Your Kind
Slipknot
We Are Not Your Kind is finally with us, although many fans discovered a leaked version via YouTube a few days ago, the rest of the world can finally experience the ferocity of Slipknot’s 6th studio record - unless you count Mate. Feed. Kill. Repeat. - which many do not.
On the lead up to the release of the record, Corey Taylor had given many hints in regards to the sound of the new album, stating that it had hints of IOWA and Vol.3, however, they in no way intended to try to repeat any of their previous works.
Now, in a huge in depth interview with Loudwire, Corey goes All Out on the new material, his history with working on previous albums, toxic relationships that nearly destroyed him, and more!
“Here’s the thing: When I got out of that relationship it was euphoria at first because it was hard. It was hard stepping away. I had done everything I could to make it work. Once I got to the point where I realized there was no way it was going to work I had to step away for my own self-preservation.”
Taylor mentions some similarities to Vol.3 in terms of the overall feel of WANYK - “I feel like this album follows that spirit even more than Vol. 3. I think Vol. 3 has some great songs on it and it has a wider field, while We Are Not Your Kind is just so fuckin’ dark that it’s compelling in a way that Vol. 3 never was.”
“This was actually a joy to put together. Even the difficult times when we were trying to figure out musical passages like mathematical equations, we were all just stoked to be making music and doing what we were built to do. It was really cool, and it was good to feel that way again.”
“The first song that made me feel like we were doing something different again was “Spiders.” That song wasn’t tracked in a typical way. The core of it was recorded and then we kept adding elements to it. We had all these songs around it that we were tracking and finishing, but we were constantly looking for the key to “Spiders.” We were looking for the moments to add to it. It was almost like seasoning a stew. Too much and it doesn’t work, just the right amount and it’s damn near perfect.”
Read the full interview here.
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I started my career as a music journalist in 2013 and have been involved in the music industry as a touring musician, studio engineer and artist consultant since 2002, as well as previously being a signed artist. My passion for delivering high quality, informative music-related news is a daily driving force behind the content I create. Also a huge gaming nerd! Born in the United Kingdom and currently living in Sweden. Skål!
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